Needlework, Honey and Labels

 Surrey bee keepers are really rather fortunate to have the national honey show almost on their door step at St George’s college, Weybridge.  It was just too tempting ..I had to enter something into the show.  But with only 11lbs of honey to show for my efforts this year I decided it wasn’t going to be honey…..

Thankfully I had this sampler piece of black-work sitting in a drawer looking very unfinished and in need of an excuse to be finished off…

Now let me say from the outset that this isn't my own design. I bought it as a pattern from the Meineck Design group  - sadly I can't find them on the internet any more, but this is a lovely black-work sampler and I obviously bought it a fair while ago long before I ever thought I might be a real bee keeper.

I was rather thrown by the rules and regulations that stipulated that the back of the piece of work needed to be accessible for judging.  After all who goes into the Louvre and takes the Mona Lisa off the wall to peer at the back to know it’s a great painting? 

Anyhoooo with a bit of assistance from ‘im indoors a simple wooden frame was made, covered in muslin to protect the needlework…

The edge of the work was hastily bound..

And I stretched it across the frame to get rid of all those nasty creases.

(note to self: don’t leave needlework folded in the drawer for years after you’ve finished it)

Those mitred corners leave a little to be desired…but hopefully the front will impress the judges enough....that they won’t feel the need to turn it over…

Now onto those labels.

It has to be said honey jar labels are a bit of a “thing” for me.  Thanks to trading standards and EU legislation there a number of fairly tedious regulations that have to be adhered to if you are going to sell honey.  Yes I understand its all about protecting the consumer and ensuring the integrity of the supply line should a problem occur..but frankly the part designed labels you drop your details into from print companies are just too twee and “meh” for my tastes. 

I wanted something a bit special and different to make my honey stand out against the competition.  You may have noticed that in that though process there’s already a little bit of thinking that I may one day have enough to be able to sell it on a bit of a larger scale.  Thankfully I had a bit of help (well a lot of help) from a friendly graphic designer.

So here’s my label...

On little half pound jars and big pound jars..

I think they look fab! Far better than my photography shows… Lets hope those honey show judges do too!!

Needle turn applique - Shirley rules!

There's something quietly satisfying about hand sewing at the end of a workday.  Something about the rhythm of the needle going through the fabric and the gentle ssshhhhhh of the thread following.  
Perhaps that's one of the reasons I've long admired applique as a sewing technique.  The best results are achieved by hand sewing and some really quite dramatic effects can be achieved with some careful fabric choices and placements.
A real expert in appliqué is Shirley Bloomfield. 
Shirley has taken appliqué to a whole new level.  Hugely inspired by American "Baltimore" style quilts she found her niche re-interpreting the flowers from her English country garden...

So when the opportunity to attend a one day workshop with Shirley arose I jumped at the chance, completed the application from, signed the cheque and and crossed my fingers as I posted it all off.  Two weeks later I was accepted and raring to go.... One whole day's tuition in needle turn appliqué to make Hydrangeas. 

We started with a tracing of the pattern onto Presse  - a light weight interfacing from America that doesn't stretch and hence provides a very nifty way of always having the pattern in exactly the right place at the moment you need it, with the extra bonus of not having any marks to wash out later!  Nothing like a top tip to start a workshop!

Then it was a case of auditioning the fabric for the pot.
Here's where time and patience really pay off.  By making a window pattern piece it is possible to audition not just the fabric, but the exact placement of the piece on the fabric....
Then pop the actual piece you want back in the window, trace round it to create the sewing line, snip it out and there you go - a perfect pot to tack in place ....

Once in position, all that careful 
preparation work really pays off and 
the raw edge is simple to tuck under 
and neatly stitch in place to create 
smooth curves...

Then the same auditioning process is repeated for leaves....

There are 15 leaves on this pattern and there was no way anyone in the class would have got them all sorted in one day.  Thankfully, though she is a thorough tutor Shirley let us move onto the bit that really makes this design..... the little raised flower heads that leap out and give the texture you just want to stroke..


They are, however, a little bit fiddly...... and there's over 50 of them ..... can you guess how many I finished?
Yup - one!

Never before have I been so chuffed and proud to come away from a quilting workshop with so little a thing to show for a day's work!  :)
I can't begin to explain to you just how much I learnt and how determined I am to go away and practice this technique, you see, I already have a bigger project forming in my head and its determined to come out and show itself!
And in the meantime here's a few more inspiring shots of Shirley's quilts....